Posts Tagged ‘Part’

Celebrity Personal Trainers – Part 1

March 4th, 2010

Who are these amazing personal trainers that work with movie stars, professional athletes, musicians, and the rest of the rich and famous? Research into exactly how one becomes a celebrity personal trainer reveals that, like the rest of the personal training industry, no formal requirements exist to become one of these trainers to the stars who charge $300+ per hour. Most celebrity trainers simply happened to be in the right place at the right time.

An unknown trainer visited a chiropractor following a car accident. During the first few visits, he and the chiropractor hit it off and got to be buddies. The chiropractor happened to know some celebrities, and just by knowing him, this trainer got a gig working with a star. Fortunately for his new celebrity client, this particular trainer had a good knowledge base and great people skills. And there was something in it for the chiropractor, too, in that he got a cut for recommending this trainer to the celebrity.

Celebrity managers would help their star clients hugely if they used more caution when recommending personal trainers. As with any referral, a thorough background screening is in order before simply hiring a trainer on another celebrity’s recommendation. The endorsement by another famous person is often all it takes for an unqualified musclehead to get in the door.

Just Because They’re Famous Doesn’t Mean They’re Knowledgeable

Although you always want to hire the trainer with the best education, experience, and certifications, the people with the best qualifications are not necessarily those with the best marketing skills or the biggest mouths. However, just because someone is good at getting attention does NOT mean they know the first thing about training. In this unregulated field, people don’t have to be well-qualified to work in the industry. Anyone who is good at conveying confidence about their abilities as a trainer will succeed in the business, whether or not they can actually deliver on their promise.

A quick look at the training industry indicates that anyone who even smells like a celebrity now has a celebrity trainer. All the biggest stars – Britney Spears, P-Diddy, J-Lo, Oprah, Madonna, Tom Cruise – have personal trainers. And the trainers themselves are now riding their clients’ fame into their own spotlights. Two of the most celebrated personal trainers are Bob Green, who works with Oprah, and Gunter, trainer to many celebrities.

Many celebrity trainers are featured on news and entertainment programs, offering diet and nutrition advice. Turns out their biggest gift is their ability sell their products in front of a camera, because their advice is questionable, at best. Still, no one can argue with their ability to generate millions of dollars because of their proximity to the rich and famous. Sadly, though, they’re making a lot of that money by exploiting uneducated people, playing on their unrealistic desires to look like the next big-screen celebrity.

We’re Not All Going to Look Like Supermodels or Professional Athletes

Say you’re in the best shape of your life, but you still don’t look like your idealized image of the perfect man or woman. That’s just reality, folks. Not everyone is going to look like Pamela Anderson or Brad Pitt, regardless of how hard they work. Genetics play a big role in our looks, not to mention the cosmetic enhancements, air brushing, and camera tricks. Being healthy and fit doesn’t mean you will never have a little fat on your body. Looking great and feeling great without using drugs, cosmetics, and surgery will make you happier than any amount of fame ever will.

Before you decide you want to look like a covergirl or a superjock, you must be comfortable with yourself exactly as you are. You are going to feel better as you lose weight and build muscle, but the you inside will still be the same. Your shapely new build may inspire confidence, but the raw materials of your personality will remain exactly the same. Are you fundamentally happy with your life and who you are now – or are you waiting for external improvements to make you feel better? They won’t, because they can’t. Just as the roots of a plant determine the quality of its fruit, the invisible, internal stuff determines your happiness in life.

The Results of Quick-Fix Shape-Up Programs Never Last

It’s often scary to hear celebrities and their personal trainers promoting new diets and/or nutritional products. If these alleged “professionals” don’t really know how the body functions (and far too many of them don’t), it’s no wonder our nation just keeps getting fatter. Two significant problems exist with quick-fix training and nutrition programs. First, these extreme exercise/diet regimens that quickly get stars in great shape are terrible for the body. Yet many celebrities follow them because they know their jobs could be on the line. Secondly, regular people who try to follow the celebrities’ exercise/diet programs often wind up failing because they cannot keep up the extreme regimens and because the programs are impossible to sustain for any length of time.

Remaining super-lean all year is challenging, especially if you used a program that slimmed you down in just 8 to 12 weeks, like a bodybuilder’s exercise/diet regimen. This process can get you looking phenomenal for a day or two, but the effects won’t last much beyond that because our bodies simply cannot function at that level for any sustained period. However, you can achieve these results and stay super-lean year-round with a lifestyle change that incorporates healthy meals and regular exercise. A quality program can burn fat, as opposed to primarily building muscle, unlike the regimens the stars often follow with their celebrity trainers.

Short-term training programs to get in shape for a one- or two-day event (like a bodybuilding contest) do work, but because they proceed at an unnaturally rapid pace, they cannot be sustained for any real length of time without seriously harming your body. However, many celebrity training programs utilize this quick-fix process because so few personal trainers really understand anatomy and human kinetics, the physical sciences related to human body function. Well-educated trainers exist – they just happen to be unfortunately rare. Few trainers have degrees or quality certifications, let alone do they continue their education or expand their knowledge about human function and performance. In this unregulated industry, no one is checking to see if personal trainers are pursuing any education updates – and most of them are not.

This does not mean you should not hire a personal trainer. Hell, even personal trainers with very little training about how to create a quality exercise or nutrition program can still provide an environment where you can get fit. They also can motivate you to achieve better health and make much quicker progress than you would likely ever achieve on your own. Almost any personal trainer is better than no personal trainer. Almost.

Crissy Rock Benidorm part 2

January 31st, 2010


crissy rock benidorm funny comedy comedian scouse liverpoool 2008 … crissy rock benidorm funny comedy comedian scouse liverpoool 2008

Hip Hop, Entertainment and Secret Societies Part 1 of 4

January 24th, 2010


A compelling and thought provoking glimpse into the influence and control of Freemasonry and other secret societies in both Hip Hop and the Entertainment industry at large via TV, Music, Magazines and Movies. This documentary explors their symbols, their origins and how these symbols are used to communicate a hidden message for a hidden agenda. Hear thoughts and opinions from some of the leading voices of the Truth movement; David Icke, Alex Jones and more! UnLearn more at www.myspace.com …

Mexican Films, From Obscurity to a Bright Future (part 1)

January 24th, 2010

The ‘Golden Age’ of Mexican cinema, was during the 1940’s, when movie stars, such as Pedro Infante and Delores Del Rio came to prominence, captivating native audiences. Consequently, there was a high demand from an enthusiastic movie-going public and the Mexican Film Institute (IMCINE) produced a series of successful movies.

Despite the local popularity at the time, Mexican cinema was not strongly embraced by International audiences, receiving only minor recognition. This was a trend that was to continue into the latter half of the 20th Century, contributing to the gradual decline of Mexican cinema, to the point of contempt from those who once celebrated it.

Nuevo Cine Mexicano (New Mexican Cinema) were the words of the 1990’s, that offered a ripple of hope to the fading industry. Ambitious and visionary directors, such as Alfonso Cuarón, Arturo Ripstein and Alfonso Arau, breathed new life into Mexican cinema’s stale conventions with their innovative ideas and unique styles. Noteable examples of this new movement are Como agua para chocolate (Like Water for Chocolate) (1992) and Sexo, pudor y lágrimas (Sex, Shame and Tears) (1999), both of which were well received by the Latin American public. As the 20th Century came to an end, it appeared that Mexican cinema was finally on the incline again.

The arrival of the new millenium proved this was not a false dawn, as it stirred the ripple of cautious hope into a wave of excitement, that flooded Hollywood and continued, unrelenting, to Europe. The reason for the excitement was Amores Perros (Love’s a Bitch) (2000), the movie which heralded the beginning of a Mexican revolution, that would prove to be far reaching in its scope.

Amores Perros was a massive critical success on its release, being lavished with praise from one end of the globe to the other and well worthy of it. This level of impact is achieved by skilled and insightful writing from Guillermo Arriaga, magnificent performances from a talented cast, particularly Gael Garcia Bernal and by the masterful González Iñárritu, as he interweaves the disparate story lines with awe inspiring flair.

The movie went on to win 51 awards worldwide, with a further 14 nominations. These included an Oscar nomination for Best Foreign Language Film in 2001, a BAFTA win in the same category (2002) and the Cannes Critics Week Grand Prize in 2000. In addition, it provided a respectable profit for IMCINE, as it was produced for approximately $2 million and ultimately grossed an estimated $21 million worldwide.

Amores Perros gained Alejandro González Iñárritu recognition for his direction and served as the launch pad for his career. Its critical acclaim prompted an offer from BMW to join an assembly of reputable directors in making a series of short movies promoting their vehicles. González Iñárritu’s input was Powder Keg (2001), starring Clive Owen. In 2002, he was invited to direct a segment for another compilation, 11′09”01 – September 11 (2002), focusing on the aftermath of September 11th. Its subsequent success opened the doors of Hollywood to González Iñárritu, which he modestly entered. Then, in 2003, he brought in Amores Perros writer Guillermo Arriaga to pen his first US production, 21 Grams (2003).

Alejandro González Iñárritu may have been enticed away from Mexico, but Mexican cinema continued to gather momentum in his absence, through the talents of his close friend Alfonso Cuarón.

When Amores Perros was released in 2000, Alfonso Cuarón had already experienced some success. Firstly, with Sólo con tu pareja (Love in the Time of Hysteria) (1991), then he laid down his marker in Hollywood with two modest, but impressive, projects A Little Princess (1995) and Great Expectations (1998). Each of these movies showcased his distinct visual style and flair for storytelling.

In 2001, he made his contribution to the reinvigorated Mexican industry by co-writing and directing the coming of age comedy/drama Y tu mamá también (And Your Mother Too) (2001), starring Gael Garcia Bernal and Diego Luna. This movie did not reach the critical heights of Amores Perros, but it proved to be a bigger commercial success than its predecessor. After Y tu mamá también, Cuarón’s reputation flourished and it was not long before he felt the draw of Hollywood again.

Off the back of two tremendous performances in Amores Perros and Y tu mamá también, Gael Garcia Bernal received very favourable publicity. In the former, he displayed his exceptional dramatic capabilities and in the latter, his natural charisma and talent for light comedy. His next major project was the controversial drama El Crimen del padre Amaro (The Crime of Father Amaro) (2002), a movie which presented him with an opportunity to substantiate his growing reputation as Mexico’s hot new star. Garcia Bernal emerged triumphant, as the movie proved to be a big success and earned him the award for male revelation of the year at the Cannes Film Festival. Soon after completing El Crimen del padre, Gael Garcia Bernal departed Mexico to pursue other enterprises. However, he left behind a film industry that had regained its dignity after many years of obscurity.

Back in the US, González Iñárritu was given creative freedom over 21 Grams, a sign of the confidence the producers had in him. Also, he was able to secure the services of Hollywood heavyweights Sean Penn, Naomi Watts and Benicio Del Toro. The result of this collaboration is an uncompromising study of the essence of humanity, which extracts every ounce of emotion from you. Guillermo Arriaga once again displays his enormous talent for dramatic writing and should take some credit for González Iñárritu’s rise to prominence.

Despite its unconventional style, 21 Grams performed well at the Box Office, grossing an estimated $60 million, from a budget of around $20 million. Also, it enjoyed very favourable critical reviews, which lead to two Oscar nominations, for Del Toro and Watts, and five BAFTA nominations, including Best Original Screenplay for Arriaga.

After the success of 21 Grams, it was Alfonso Cuarón’s opportunity to woo the international audiences, when Warner Brothers invited him to direct the third Harry Potter movie, Harry Potter and the Prisoner of Azkaban (2004).

The fantasy elements of the Harry Potter books enabled Alfonso Cuarón to fully explore his fertile imagination and, in this movie, he expresses himself with stunning visual flamboyance that echoes the beauty of A Little Princess (1995). Harry Potter and the Prisoner of Azkaban provided Cuarón with his largest Box Office success to date, grossing an estimated $790 million worldwide.

Article written by Alan Munro

Complete version

For the website Trapped in Mexico´s Periferico

http://www.elperiferico.com.mx

Eng Sub [2009-03-20] 100% Entertainment – Rainie Yang ~ Jiro Wang ~ LINDA ~ Ba Yu PART 1

January 24th, 2010


“In Love 100%” – 100% Entertainment Aired on 2009-03-20 Guests: Cast of ToGetHer (Rainie Yang, Jiro Wang, WangJianLong, JinQin, LINDA, BaYu) Subs by ladbuginha